The reading we were given reminds you that Leonardo da Vinci and Michelangelo were real people. I feel that they're always talked about so highly that you forget they were human. They bashed each other just as much as artists do these days. I'm not surprised that Michelangelo used grids for the Sistine chapel. It's such a large surface that I'd be surprised if he DIDN'T use grids. It would have taken so much longer and come out worse. I'm not going to lie, fresco sounds terrifying. It's so permanent, I would be scared to even try and use it. On the other hand it sounds far more convenient because it takes far less time to dry, which allows you to work faster. It just doesn't sound like the medium for me.
After doing the watercolor squares I realized a few things:
1) My watercolors aren't that great (they're kind of terrible actually)
2) My blue was very over powering
3) Getting gray is a lot harder than you would think
4) I need to work on it a lot more.